+ About the Work

> + About the Work

“I am fascinated with the construction of human experience and the concept of possession. What forms an experience? What experience stays? What are those that we experienced but did not stay?”

Interested in examining the social structure of contemporary cultural exchange, Ta-Wei Huang is curious to explore the social and cultural boundaries of human perception. Huang perceives creativity as a moving and fluid process. Whereas he considers the concept of future and past belongs only to the realm of imagination, Huang focuses solely on moments that are happening in the status of ‘now.’ In HATCH Series TPE No. 1, he explores the relationship between the transient essence of the ‘now’ and the fleeting experiences of the ‘moment’ to unload the mechanism of what formulates the idea of the presence to comb through the intricate cognitive process of character formation, taking place on a (sub)conscious level. His rejection of formal and academic rhetoric facilitate his quest to give artistic production a form that is primitive and prior to rationality.

「當每一種個性開始意會到自己在面對人性的時候總是脆弱渺小，每一個特質都很努力地保護自己的框架，深怕自己會在人性裡面缺席。在生活裡面，我們感受這些絲絲的限制，每一個特質又脆弱又精準地站立在這些限制上。而我們該如何擁有？我們像是一陣風吹過這些切割穿透的畫，經過下一個又一個性格，這種同時很脆弱又很美的感覺推著我們前進，堆疊成生活的過程。」

黃大維，2011年畢業於元智大學，主修管理。2014獲文化部補助前往紐約駐村。永遠不知道在幹嘛的黃大維表示也許藝術無法透過藝術本身來理解，我也無法透過自身來理解。當「我」加入「們」，身處於不同世界各個角落的我我我，我們如何擁有一個我？

個展：2015年個展「我們」，台北，台灣、2014年「黃大維個展」，台北，台灣。聯展：2016，HATCH Series X Spaces “Nearly There: Point（s） of Reference，Spaces LIC，紐約，美國、2014，AfterImage, Cuchifritos藝廊 + Project Space/Residency